Punch Marked Coins
The Indus valley civilisation of Mohenjo-Daro and Harappa dates back between 2500 BC and 1750 BC. There, however, is no consensus on whether the seals excavated from the sites were in fact coins.
The first documented coinage is deemed to start with 'Punch Marked' coins issued between the 7th-6th century BC and 1st century AD. These coins are called 'punch-marked' coins because of their manufacturing technique. Mostly made of silver, these bear symbols, each of which was punched on the coin with a separate punch.Description | Obverse | Reverse |
Seven Symbols | ||
Five Symbols | ||
Five Symbols |
Silver Punchmarked Coins
Representative Symbols appearing on Punch Marked Coins
Description | Coin |
Asmaka Janapada | |
Imperial Series | |
Imperial Series | |
Imperial Series |
Imperial Punch Marked Coins
Mauryan Art Form
Dynastic Coins
Dating of regular dynastic coin issues is controversial. The earliest of these coins relate to those of the Indo-Greeks, the Saka-Pahlavas and the Kushans. These coins are generally placed between the 2nd century BC and 2nd century AD. Hellenistic traditions characterise the silver coins of the Indo-Greeks, with Greek gods and goddesses figuring prominently, apart from the portraits of the issuers. These coins with their Greek legends are historically significant, as the history of the Indo-Greeks has been reconstructed almost entirely on their evidence. The Saka coinage of the Western Kshatrapas are perhaps the earliest dated coins, the dates being given in the Saka era which commences in AD 78. The Saka era represents the official calendar of the Indian Republic.Indo-Greek Coins
Kushan
Earliest Kushan coinage is generally attributed to Vima Kadphises. The Kushan coins generally depicted iconographic forms drawn from Greek, Mesopotamian, Zorastrian and Indian mythology. Siva, Buddha and Kartikeya were the major Indian deities portrayed. Kushan gold coins influenced subsequent issues, notably those of the Guptas.
Map of Kushan
Satavahana
Coins of the Kushans
Kushan Art Form, Statue of Kanishka, Mathura Museum
The Satavahanas were the early rulers of the region between the rivers, Godavari and the Krishna. They were also referred to as the Andhras. They soon brought under their control, both the Western-Deccan and Central India. The dates of their coming in to power are contentious and are variously put between 270 BC to 30 BC. Their coins were predominantly of copper and lead, however, silver issues are also known. These coins carried the motifs of fauna like elephants, lions, bulls, horses, etc. often juxtaposed against motifs from nature like hills, tree, etc. The silver coins of the Satavahanas carried portraits and bilingual legends, which were inspired by the Kshatrapa types.
Western Kshatrapa
Coins of the Satavahana
The term Western Kshatraps alludes to the set of rulers who ruled Western India between the 1st and 4th Century AD. The legends on the coins were generally in Greek and Brahmi. Kharoshti too was used. The Western Kshatrap coins are reckoned to be the earliest coins bearing dates. The common copper coins are the 'bull and hill' and the 'elephant and hill' types.
Other Coins
Description Obverse Reverse Rudrasimha I, 180-196 AD Viradaman, 234-238 AD
Coins of the Western Kshatrapas
In the interregnum between the fall of the Maurayans and the rise of the Guptas various tribal republics in the Punjab and monarchies in the Indo-Gangetic plain issued coins. Most coins were issued in Copper. The coins of the Yaudheyas were influenced in design and motif by the coins of the Kushans. They followed the weights of the Indo-bacterian rulers.
Gupta
Coin of the Yaudheyas
Gupta coinage (4th-6th centuries AD) followed the tradition of the Kushans, depicting the king on the obverse and a deity on the reverse; the deities were Indian and the legends were in Brahmi. The earliest Gupta coins are attributed to Samudragupta, Chandragupta II and Kumaragupta and their coins often commemorate dynastic succession as well as significant socio-political events, like marriage alliances, the horse sacrifice, etc (King and queen type of coin of Chandragupta 1, Asvamedha type, etc.), or for that matter artistic and personal accomplishments of royal members (Lyrist, Archer, Lion-slayer etc.).
Post-Gupta Coinage
Description Obverse Reverse King as Horseman King as Lion Slayer King & Queen Type Fan-Tailed Peacock
Coins of the Guptas
Post-Gupta coinage (6th-12th centuries AD), is represented by a monotonous and aesthetically less interesting series of dynastic issues including those of Harsha (7th century AD, Kalachuri of Tripuri (11th century AD) and early medieval Rajputs (9th-12th centuries AD). Gold coins struck between this period are rare. These were revived by Gangeyadeva the Kalachuri ruler who issued the 'Seated Lakshmi Coins' which were copied by later rulers both in gold as well as in debase form. The Bull & Horseman type of coins were the most common motif appearing on coins struck by the Rajput clans. In western India, imported coins like the Byzantine solidi were often used reflecting trade with the Eastern Roman Empire.
Description Obverse Reverse Seated Lakshmi Bull & Horseman
South Indian Coinage
The symbols and motifs on South Indian coin issues were confined to dynastic crests such as the boar (Chalukya), bull (Pallava), tiger (Chola), fish (Pandya and Alupas), bow and arrow (Cheras) and lion (Hoysala) etc. The Yadavas of Devagiri issued 'Padmatankas' with an eight-petalled lotus on the obverse and a blank reverse. Coin legends refer to names or titles of the issuer in local scripts and languages. Decorative features are rare and divinities are almost absent till the medieval Vijayanagar period (14th - 16th centuries AD).
Description Obverse Reverse Coins of the Cheras
11th - 13th CenturiesCoins of the Cheras
11th - 13th CenturiesCoins of the Cholas
9th - 13th CenturiesCoins of the Alupas of Udipi
11th - 13th CenturiesPadmatankas,
Coins of the Yadavas of Devagiri
12th - 14th Centuries
Map of Ancient India, Courtesy Government of India
Foreign Coin Hoards found in India
Ancient India had considerable trade links with the Middle East, Europe (Greece and Rome) as well as China. This trade was carried out over land partly along what came to be alluded to as the silk route and partly through maritime trade. By the time of Pliny, the Roman historian, Roman trade with India was thriving, and indeed creating a balance of payments problem for the Roman Empire. In South India, which had a thriving maritime trade, Roman coins even circulated in their original form, albeit slashed at times as a gesture disclaiming intrusions of foreign sovereignty.A slashed Roman Aureus of Augustus
Description | Obverse | Reverse |
Roman Find in South India | ||
Roman Find in South India | ||
Byzantine Find in South India |
Medieval India Coinage
Map of Medieval India, Courtesy Government of India
Description | Obverse | Reverse |
Coin of Nasiru-d-din Mahmud 1246 - 1266 AD | ||
Coin of Ghiyasu-d-din Balban 1266 - 1287 AD |
Coins of the Khiljis
Silver Coin, Malwa
In the South, the Vijayanagar contemporaries of the Delhi Sultanate and Mughals, were the other dynasty whose currency presents a rare example of a standardised issue which later provided a model for the European and English trading companies. The Kingdom of Vijayanagar was founded around 1336 AD by Harihara and Bukka in the region south of the River Krishna. The Vijayanagar period saw the advent of European traders especially the Portuguese. Krishnadevaraya encouraged foreign trade and this necessitated wider use of currency. Coins of the Vijayanagar kingdom was largely struck in gold and copper. Most Vijayanagar gold coins bore a sacred image on the obverse and the royal legend on the reverse. Amongst the significant gold coins of the Vijayanagar Empire were those bearing the image of the deity of Tirupati, i.e., Lord Venkatesvara represented either singly or with his two consorts. These coins inspired the 'Single Swami' Pagodas of the Dutch and French and the 'Three Swami' Pagodas of the English East India Company.
Coins of the Vijayanagar Empire
Pagoda, East India Company inspired by the coins of the Vijayanagar Empire
Mughal Coinage
The most significant monetary contribution of the Mughals was to bring about uniformity and consolidation of the system of coinage throughout the Empire. The system lasted long after the Mughal Empire was effectively no more. The system of tri-metalism which came to characterise Mughal coinage was largely the creation, not of the Mughals but of Sher Shah Suri (1540 to 1545 AD), an Afghan, who ruled for a brief time in Delhi. Sher Shah issued a coin of silver which was termed the Rupiya. This weighed 178 grains and was the precursor of the modern rupee. It remained largely unchanged till the early 20th Century. Together with the silver Rupiya were issued gold coins called the Mohur weighing 169 grains and copper coins called Dam.
Where coin designs and minting techniques were concerned, Mughal Coinage reflected originality and innovative skills. Mughal coin designs came to maturity during the reign of the Grand Mughal, Akbar. Innovations like ornamentation of the background of the die with floral scrollwork were introduced. Jehangir took a personal interest in his coinage. The surviving gigantic coins, are amongst the largest issued in the world. The Zodiacal signs, portraits and literary verses and the excellent calligraphy that came to characterise his coins took Mughal Coinage to new heights.
Mohur-Humayun | |
One Rupee-Sher Shah Suri(Afghan) | |
Mohur-Akbar |
Mohur-Aurangzeb |
Mohur-Farrukhsiyar |
Pre-Colonial India & Princely States: Coinage
The Maratha Confederacy
While the Marathas have had a long history, they came into the limelight in the seventeenth century led by the charismatic leader Shivaji. The Maratha Confederacy consolidated itself after Aurangzeb's death in 1707 AD. Their military successes saw them overrun most of India by 1738 AD. The Marathas were set to be the only power in India to take on the Imperial mantle and build an Indian empire. Their fortunes suffered a setback with the battle of Panipat in 1761 AD. They, however, retained their hegemony over the Deccan till the end of the century. With the decline of central power, Maratha families established the states of Baroda, Gwalior, Indore, etc. As regards coinage, Shivaji first issued coins in 1664 AD when he assumed the title of Raja. Coins were again issued to commemorate his coronation at Raigadh in 1674 AD. These coins are rare. Maratha Mints and coinage were consolidated around the middle of the eighteenth century. Three types of Rupees were in circulation during this period, viz., the Hali Sicca, the Ankushi rupee which was the standard rupee of Pune, and the Chandori rupee which was on par with the Ankushi.
Copper | ||
Copper | ||
Silver, Pune Mint | ||
Silver, Pune Mint |
The Province of Awadh, situated in Northern India, was governed by Nawab-Wazirs on behalf of the Mughal Emperor from around 1720 AD. With the decline of the Mughal Empire, the British Governor General, the Marquis of Hastings, persuaded Ghaziuddin Haidar, the Nawab-Wazir of Awadh, to cast off Mughal suzerainty and declare himself independent. Ghaziuddin was crowned in 1819, but the State of Awadh whose capital Lucknow, laid claimed the title of the cultural capital of India, did not survive even four decades. Despite Ghaziuddin's proclamation of independence, the first issues continued in the name of the Mughal Emperor, with the Awadh coat of arms on the reverse, before independent coins were issued. The coat of arms was imitative of the English and marked a departure from the traditional Mughal designs. Nasiruddin Hyder, Muhammed Ali, and Wajid Ali succeeded Ghaziuddin. The monetary system consisted of the gold ashrafi, (half, quarter, eighth and sixteenth of an ashrafi), the silver rupee with similar five denominations and the copper fulus. The defeat of the Nawab of Awadh at the Battle of Buxar (1764), precipitated the decline of the Kingdom. Wajid Ali Shah, the last Nawab was forced to abdicate in 1856 by Lord Dalhousie. During the 1857 uprising, the battle of Lucknow was one of the most bitterly fought battles. The revolutionaries are said to have minted coins in the name of the Nawab-Wazarat.
Coins of Avadh
The Kingdom of Mysore was situated in Southwest India and was ruled by various Hindu dynasties. In 1761, Haider Ali a military adventurer deposed the Wodeyar ruler and proclaimed himself King. In the region, coins of both the Mughal and Vijayanagar standards were current. His coin issues coins of the pagoda types continued to carry the motifs and iconographic forms of the Vijayanagar period (e.g., Hara-Gauri) with his initial, the letter 'He' on the reverse. Tipu, his son, succeed him and assumed the title of Sultan. He introduced various innovations and new varieties in his coinage, continuing with the pagodas, the mohurs, and introduced his own standards. An interesting feature of his coins is that they do not bear his name. Tipu Sultan, a progressive ruler, was one of the few Indian princes to perceive the imperial designs of the British and oppose them; he, however, was slain in the battle of Srirangpatanam in 1799 after which the British reinstated Krishna Raja Wodeyar as King of Mysore. Krishna Raja Wodeyar continued to issue coins of the Vijayanagar and Mughal standards. The gold coins carried the Hara-Gauri motif and the King's name on the reverse. The silver coins were in the Mughal tradition, bearing the name of the Mughal Emperor, Shah Alam II on the obverse and the name of the mint on the reverse. Some of the smaller fraction coins carried the image of the deity Chamunda, the family deity of the Wodeyar family; other coins carried motifs drawn from nature and inscriptions in Nagri, Persian, Kannada, and English at various points of time.
Coin of Hyder Ali
Rupee of Tipu Sultan
Guru Nanak laid the foundations of a religious community, which gradually metamorphised into the Sikh Empire, a formidable military power in North Western India. This transformation was brought about on account of continued Mughal oppression. Constant harassment by the Mughal forces because of the failure of the Sikhs to embrace Islam, led to the emergence of Sikh militarism. However it was with the defeat of Ahmad Shah Durrani at Sirhind in 1710, that the Sikh league also known as Khalsa, came into its own. The whole tract of land between Jhelum and Sutlej was divided among the Sikh chieftains. Around 1777 AD, coins were issued from Amritsar without the name of the Mughal Emperor and were called 'Nanak Shahi'. These coins bore the name of Guru Gobind Singh, the tenth and the last Guru of the Sikhs. The most distinguished statesman amongst the chieftains was Ranjit Singh who successfully recaptured Amritsar, Ludhiana, Multan, Kashmir and Peshawar. The treaty of 1809, with the British, confirmed his right to rule the tracts he had occupied south of Sutlej. However, after his death, the Sikh Empire began to deteriorate and was finally annexed to the British Empire in 1849. Most coins struck during the reign of Ranjit Singh bear a large leaf on one side and bear Persian legends. He also introduced coins with Gurumukhi legends, mostly of the copper variety.
Coins of the Sikhs
The Princely State of Hyderabad was founded around 1724 when Mir Qamar-ud-Din, the Mughal Viceroy of the Deccan, assumed independence under the title of Asaf Jah and founded the dynasty of the Nizams of Hyderabad. In the post 1857 era, the State of Hyderabad was one of the largest Princely States in India and later came to be known as the 'Dominion of His Exalted Highness, the Nizam'. The State which covered territories presently included in Andhra Pradesh, Maharashtra, and Karnataka was assimilated into the Indian Union in September 1948. In matters of currency and coinage, the coins of the Nizams were issued in the name of the Mughal Emperor till 1858 when a coin legend was introduced with the name of the founder of the state, Asaf Jha. Thereafter, they were struck independently and the new coins were termed the 'Hali Sicca', i.e., the current coins. In 1903-04 coins were machine struck for the first time. These coins featured the Charminar on the obverse with Persian inscription Nizam-ul-mulk Bahadur Asaf Jah around it. The reverse carried the value. These coins confirmed to the British coins in denominations and metals.
Coins of Hyderabad
Denomination | Obverse | Reverse |
Ashrafi | ||
Rupee | ||
8 Annas | ||
4 Annas | ||
2 Annas |
Coins of Datia State
Coins of Faridkot State
Coins of Udaipur
Denomination | Obverse | Reverse |
Rupee | ||
Half Rupee | ||
One Fourth Rupee | ||
One Eight Rupee | ||
One Sixteenth Rupee |
British India Coinage
The coins of Bengal were developed along the Mughal pattern, those of Madras were struck along South Indian lines both in design and metrology (Pagoda) as well as along Mughal designs. The English coins of Western India developed along Mughal as well as English patterns. It was only in 1717 AD that the English obtained permission from the Emperor Farrukhsiyar to coin Mughal money at the Bombay mint. English pattern coins were struck at the Bombay Mint. The gold coins were termed Carolina, the silver coins Anglina, the copper coins Cupperoon and tin coins Tinny. By the early 1830, the English had become the dominant power in India. The rise of one dominant power after over a hundred years of turmoil, enabled the enactment of the Coinage Act of 1835 and for uniform coinage to be issued.
Newly designed coins with the effigy of William IV on the obverse and the value on the reverse in English and Persian, were issued in 1835.
The coins issued after 1840 bore the portrait of Queen Victoria. The first coinage under the crown was issued in 1862 and in 1877 Queen Victoria assumed the title the Empress of India.
Edward VII succeeded Queen Victoria and the coins issued bore his effigy. The Indian Coinage Act, 1906 was passed which governed the establishment of Mints as well as the coins that would be issued and the standards that would be maintained (Rupee 180 grains, Silver 916.66 standard; Half Rupee 90 grains, Quarter Rupee 45 grains). George V succeeded Edward VII. Acute shortage of silver on account of World War I, led the British Government to issue paper currency of One Rupee and Two and a half Rupees. The silver coins of smaller denominations were issued in cupro-nickel. George V was in turn succeeded by Edward VIII. However no coins were issued during his short reign. Geroge VI ascended the throne in 1936. The compulsion of the Second World War led to experiments in coinage where the standard rupee was replaced by the "Quaternary Silver Alloy". The Quaternary Silver coins were issued from 1940. In 1947 these were replaced by pure Nickel coins.
India attained freedom on 15th August 1947. However the existing coinage was continued as the frozen series till January 26th 1950 when India became Republic
British India Coinage
Early Issues
Description | Obverse | Reverse |
Mohur struck in the name of Shah Alam II, Murshidabad Mint | ||
Two Pagodas in vogue in Madras Presidency | ||
The Surat Rupee |
British India Coinage
Coins of William IV
Description | Obverse | Reverse |
Rupee One, Silver | ||
Half Rupee, Silver | ||
Quarter Rupee, Silver | ||
Half Anna, Copper | ||
Quarter Anna, Copper | ||
Half Pice, Copper |
Coins of Queen Victoria (Young Bust)
Description | Obverse | Reverse |
Two Annas, Silver | ||
Quarter Rupee, Silver | ||
Half Rupee, Silver | ||
One Rupee, Silver | ||
One Mohur |
Coins of Queen Victoria (Mature Bust)
Description | Obverse | Reverse |
One Twelfth Anna, Bronze | ||
Half Pice, Bronze | ||
Quarter Anna, Bronze | ||
Half Anna, Bronze | ||
Two Annas, Silver | ||
One Fourth Rupee, Silver | ||
Half Rupee, Silver | ||
One Rupee, Silver | ||
One Mohur |
Coins of Queen Victoria (Empress)
Description | Obverse | Reverse |
One Twelfth Anna, Bronze | ||
Half Pice, Bronze | ||
Quarter Anna, Bronze | ||
Half Anna, Bronze | ||
Two Annas, Silver | ||
One Fourth Rupee, Silver | ||
Half Rupee, Silver | ||
One Rupee, Silver |
Coins of Edward VII
Description | Obverse | Reverse |
One Twelfth Anna, Bronze | ||
Half Pice, Bronze | ||
One Quarter Anna, Bronze | ||
One Anna, Copper-Nickel | ||
Two Annas, Silver | ||
One Fourth Rupee, Silver | ||
Half Rupee, Silver | ||
One Rupee, Silver |
Coins of George V
Denomination | Obverse | Reverse |
1/12 Anna (One Pie) | ||
1/2 Pice | ||
1/4 Anna (1 Pice) | ||
One Anna | ||
Two Annas | ||
Quarter Rupee | ||
Half Rupee | ||
One Rupee | ||
Fifteen Rupees |
Major Design Change
Two Annas | ||
Four Annas | ||
Eight Annas |
Coins of George VI
Denomination | Obverse | Reverse |
1/12 Anna (One Pie) | ||
1/2 Pice | ||
1/4 Anna (1 Pice) | ||
Half Anna | ||
One Anna | ||
Two Annas | ||
Quarter Rupee | ||
Half Rupee | ||
One Rupee, Silver |
Major Design Changes
One Pice | ||
One Rupee, Quaternary | ||
One Rupee, Nickel |
Republic India Coinage
Chronologically, the main considerations influencing the coinage policy of Republic India over time have been:
- The incorporation of symbols of sovereignty and indigenous motifs on independence;
- Coinage Reforms with the introduction of the metric system;
- The need felt from time to time to obviate the possibility of the metallic value of coins rising beyond the face value;
- The cost-benefit of coinisation of currency notes
The Frozen Series 1947-1950Contemporary Coins
This represented the currency arrangements during the transition period upto the establishment of the Indian Republic. The Monetary System remained unchanged at One Rupee consisting of 192 pies.
1 Rupee = 16 Annas
1 Anna = 4 Pice
1 Pice = 3 Pies
The Anna Series
This series was introduced on 15th August, 1950 and represented the first coinage of Republic India. The King's Portrait was replaced by the Lion Capital of the Ashoka Pillar. A corn sheaf replaced the Tiger on the one Rupee coin. In some ways this symbolised a shift in focus to progress and prosperity. Indian motifs were incorporated on other coins. The monetary system was largely retained unchanged with one Rupee consisting of 16 Annas.
The Decimal Series The move towards decimalisation was afoot for over a century. However, it was in September, 1955 that the Indian Coinage Act was amended for the country to adopt a metric system for coinage. The Act came into force with effect from 1st April, 1957. The rupee remained unchanged in value and nomenclature. It, however, was now divided into 100 'Paisa' instead of 16 Annas or 64 Pice. For public recognition, the new decimal Paisa was termed 'Naya Paisa' till 1st June, 1964 when the term 'Naya' was dropped.
Denomination Metal Obverse Reverse Rupee One Nickel Half Rupee Nickel Quarter Rupee Nickel Two Anna Cupro-Nickel One Anna Cupro-Nickel Half Anna Cupro-Nickel One Pice Bronze
Naya Paisa Series 1957-1964
With commodity prices rising in the sixties, small denomination coins which were made of bronze, nickel-brass, cupro-nickel, and Aluminium-Bronze were gradually minted in Aluminium. This change commenced with the introduction of the new hexagonal 3 paise coin. A twenty paise coin was introduced in 1968 but did not gain much popularity.
Denomination Metal
Weight
Shape
SizeCoin Rupee One Nickel
10 gms
Circular
28 mmFifty Naye Paise Nickel
5 gms
Circular
24 mmTwenty Five Naye Paise Nickel
2.5 gms
Circular
19 mmTen Naye Paise Cupro-Nickel
5 gms
Eight Scalloped
23 mm (across scallops)Five Naye Paise Cupro-Nickel
4 gms
Square
22 mm (across corners)Two Naye Paise Cupro-Nickel
3 gms
Eight Scalloped
18 mm (across scallops)One Naya Paisa Bronze
1.5 gms
Circular
16 mm
Aluminium Series 1964 onwards
Over a period of time, cost benefit considerations led to the gradual discontinuance of 1, 2 and 3 paise coins in the seventies; Stainless steel coinage of 10, 25 and 50 paise, was introduced in 1988 and of one rupee in 1992. The very considerable costs of managing note issues of Re 1, Rs 2, and Rs 5 led to the gradual coinisation of these denominations in the 1990s.
Denomination Metal
Weight
Shape
SizeCoin One Paisa Aluminium-Magnesium
0.75 gms
Square
17 mm (Daigonal)Two Paise Aluminium-Magnesium
1 gm
Scalloped
20 mm (across scallops)Three Paise Aluminium-Magnesium
1.25 gms
Hexagonal
21 mm (Diagonal)Five Paise Aluminium-Magnesium
1.5 gms
Square
22 mm (Diagonal)Ten Paise Aluminium-Magnesium
2.3 gms
Scalloped
26 mm (across scallops)Twenty Paise Aluminium-Magnesium
2.2 gms
Hexagonal
26 mm (diagonal)
24.5 mm (across flats)
Denomination | Metal | Weight | Diameter | Shape |
Cupro-Nickel | 9.00 gms | 23 mm | Circular | |
Cupro-Nickel | 6.00 gms | 26 mm | Eleven Sided | |
Ferratic Stainless Steel | 4.85 gms | 25 mm | Circular | |
Ferratic Stainless Steel | 3.79 gms | 22 mm | Circular | |
Ferratic Stainless Steel | 2.83 gms | 19 mm | Circular | |
Ferratic Stainless Steel | 2.00 gms | 16 mm | Circular |
others
This page proposes to carry information which may not fall into the formal structure of our coinage pages e.g. Indo-French Coins, Indo-Portuguese Coins etc., information related to coin designs, motifs, minting techniques as well as various facets of the history of Coinage.Couplet Coins
Throughout history, despite protestations of artists to the contrary, there has been a close though uneasy and tenuous nexus between the Muses and Money. Coins have been a very powerful medium for projecting the art of contemporary engravers to the populace in general. The motifs have varied from portraits of royalty, personalities, heroic deeds, fauna and flora motifs, to allegories, etc. In an interesting innovation, ancient Indian coinage dovetailed poetry with the engraver's art, thus embellishing the visual message with verbal art.Poetic legends (largely eulogistic) were introduced on coins by the Guptas (3rd to 6th Century AD). For instance, the horseman type coins of the Guptas carried the following legend in poetic meter:
i.e. 'The Spotless Moon in the firmament of the Gupta family,
invincible, valorous as Mahendra, conquers the enemy'.
Similarly, the gold coins of Chandragupta II, carried the legend in the Vamsthavila meter:
jayatyajayyo bhuvi sinhavikramah
'The Moon amongst Kings, famous for his warfare,
valorous like a lion, invincible and victorious on the battle-field'
The Medieval period saw the gradual phasing out of pictorial and iconic motifs which were replaced by abstract designs and calligraphy. These art forms were especially conducive to making coins a medium for carrying the Poetic Muse. The messages, however, remained eulogistic - towards the greater glory of the King. Coins of Muhammed Shah II (AD 1442-1451), the Sultan of Gujarat carried the following couplet is an early example.
Ta ba-dar-uz zarb gardun qurs-e-mihir-o-mah
May the coins of Sultan Ghiyas-ud-din Muhammed Shah remain
As long as the Mint of Heaven, the sun and the moon remain
Such poetic traditions were carried forth by the Mughals and by the time of Aurangzeb couplets became an intrinsic part of coin design. The Emperor Jehangir, struck coins in the name of the Empress, Noor Jehan, (the Light of the World) and the couplet quaintly read:
Ba nam-e- Noor Jehan badshah begam zer
[Coin struck] by the order of Shah Jehangir, [This] gold hath a hundred beauties gained
with the inscription of the name of Noor Jehan, the Badshah Begum (Empress)
The East India Company carried on the tradition of poetic couplets. This mohur struck in the name of Shah Alam II at Mursheedabad carried the following couplet
Hami deen-e- Muhammed Shah Alam Badhshah
Coins struck by the defender of the faith, Shah Alam by the Grace of God,
May it be current throughout the seven climes
With the issuance of the English type of coins in 1835, this tradition gradually came to an end.
Couplet Coin
\
India Paper Money A Retrospect : 1770-1998
The Bank of Bengal | The Bank of Bombay | The Bank of Madras |
The Paper Currency Act of 1861 conferred upon Government of India the monopoly of Note Issue bringing to an end note issues of Private and Presidency Banks. Paper currency in India owed much to the intellectual stimulus and personal dynamism of Sir James Wilson, the first Finance Member in the Executive Council of the Viceroy of India. With the early death of Sir James, the task of issuing Government Paper Money in India devolved upon his successor Samuel Laing who substantially modified Wilson's original proposals.
Government of India continued to issue currency notes till the Reserve Bank of India was established on 1st April, 1935. When the one rupee note was reintroduced as a war time measure in August, 1940, it was issued by Government of India with the status of a coin. Government of India continued to issue Rupee one notes till 1994.
The motifs appearing on Indian currency notes reflect the changing socio-cultural ethos and the world-view of the times: buccaneering mercantilism, colonial consolidation, domineering imperialism, the grandeur of empire, to the symbols of National Independence followed up by allegories of progress and finally in the latest series, reminiscing Gandhian values.
Early Issues
Among the early issuers, the General Bank of Bengal and Bahar (1773-75) was a state sponsored institution set up in participation with local expertise. Its notes enjoyed government patronage. Though successful and profitable, the bank was officially wound up and was short lived. The Bank of Hindostan (1770-1832) was set up by the agency house of Alexander and Company was particularly successful. It survived three panic runs on it. The Bank of Hindostan finally went under when its parent firm M/s Alexander and Co. failed in the commercial crisis of 1832. Official patronage and the acceptance of notes in the payment of revenue was a very important factor in determining the circulation of bank notes. Wide use of bank notes, however, came with the note issues of the semi-government Presidency Banks, notably the Bank of Bengal which was established in 1806 as the Bank of Calcutta with a capital of 50 lakh sicca rupees. These banks were established by Government Charters and had an intimate relationship with the Government. The charter granted to these banks accorded them the privilege of issuing notes for circulation within their circles.
Notes issued by the Bank of Bengal can broadly be categorised in 3 broad series viz: the 'Unifaced' Series, the 'Commerce' Series and the 'Britannia' Series. The early notes of the Bank of Bengal were unifaced and were issued as one gold mohur (sixteen sicca rupees in Calcutta) and in denominations deemed convenient in the early 19th Century, viz., Rs. 100, Rs. 250, Rs. 500, etc.
Unifaced Notes of the Bank of Bengal
Commerce Series
Brittania Series
Note issued by the Bank of Bombay
The other private banks which issued bank notes were the Orient Bank Corporation established in Bombay as the Bank of Western India in 1842. Its notes featured the Bombay Town Hall as vignette. The Commercial Bank of India established in 1845 in Bombay (also an Exchange Bank) issued exotic notes with an interblend of Western and Eastern Motifs. The bank failed in the crash of 1866. The paper currency Act of 1861 divested these banks of the right to note issue; the Presidency Banks were, however, given the free use of Government balances and were initially given the right to manage the note issues of Government of India.
British India Issues
These Currency Circles increased in number as the Government progressively took over the work. The agency agreements with the Presidency Banks were finally terminated in 1867. The Management of Paper Currency was subsequently, in turn, entrusted to the Mint Masters, the Accountant Generals and the Controller of Currency.
Victoria Portrait Series
The first set of British India notes were the 'Victoria Portrait' Series issued in denominations of 10, 20, 50, 100, 1000. These were unifaced, carried two language panels and were printed on hand-moulded paper manufactured at the Laverstock Paper Mills (Portals). The security features incorporated the watermark (GOVERNMENT OF INDIA, RUPEES, two signatures and wavy lines), the printed signature and the registration of the notes.
Rupees Ten
Rupees Twenty
Rupees Hundred
Half note
The Victoria Portrait series was withdrawn in the wake of a spate of forgeries and replaced by the unifaced 'Underprint Series' which were introduced in 1867. In deference to public demand, notes in the denomination of Rupees Five were introduced. Initially, notes were legally encashable only in the Currency Circle in which they were issued; however, between 1903 an 1911, notes of denomination 5, 10, 50 and 100 were 'universalised', i.e. were legally encashable outside the Currency Circle of Issue.
The Underprint Series notes were printed on moulded paper and carried 4 language panels (Green Series). The languages differed as per the currency circle of Issue. Language panels were increased to 8 in the Red Series. The improved security features included a wavy line watermark, the manufacturer's code in the watermark (the source of much confusion in dating), guilloche patterns and a coloured underprint.
This series remained largely unchanged till the introduction of the 'King's Portrait' series which commenced in 1923.
Green Underprint - Rupees Five Hundred
Green Underprint - Rupees Five
Red Underprint - Rupees Fifty
The introduction of small denomination notes in India was essentially in the realm of the exigent. Compulsions of the first World War led to the introduction of paper currency of small denominations. Rupee One was introduced on 30th November, 1917 followed by the exotic Rupees Two and Annas Eight. The issuance of these notes was discontinued on 1st January, 1926 on cost benefit considerations. These notes first carried the portrait of King George V and were the precursors of the 'King's Portrait' Series which were to follow.
Rupee One - Obverse
Rupee One -Reverse
Rupees Two and Annas Eight - Obverse
Regular issues of this Series carrying the portrait of George V were introduced in May, 1923 on a Ten Rupee Note. The King's Portrait Motif continued as an integral feature of all Paper Money issues of British India. Government of India continued to issue currency notes till 1935 when the Reserve Bank of India took over the functions of the Controller of Currency. These notes were issued in denominations of Rs 5, 10, 50, 100, 500, 1000, 10,000.
Rupees Fifty
Rupees One Thousand
Rupees Ten Thousand
British India: Reserve Bank Issues
The first Central Office of the Reserve Bank of India
Section 22 of the RBI Act, 1934, empowered it to continue issuing Government of India notes till its own notes were ready for issue. The Central Board of the Bank recommended that the Bank notes retain the general size, appearance and design of the existing notes, albeit with modifications.
Notes with the portrait of Edward VIII were scheduled for release in the summer of '37. But Edward's heart had its reasons and his abdication, at levels mundane, delayed the Bank's issues to January 1938 when the first Five Rupee note was issued bearing the portrait of George VI.
Rupees Five - First Note issued by Reserve Bank of India
Rupees One Hundred
Rupees One Thousand
Rupees Ten Thousand
Sir Osborne Smith | Sir James Taylor |
Rupee One Obverse
Rupee One Reverse
Rupees Two
Sir C. D. Deshmukh
George VI Profile
George VI Frontal
Republic India Issues
The transition of currency management from colonial to independent India was a reasonably smooth affair. Midnight, August 15, 1947 heralded Indian independence from colonial rule. The Republic, however, was established on 26th January, 1950. During the interregnum, the Reserve Bank continued to issue the extant notes.
Government of India brought out the new design Re 1 note in 1949.
Government of India - Rupee One
Rupees Ten - King's Portrait
Rupees Ten - Ashoka Pillar
Rupees One Thousand - Tanjore Temple
Rupees Five Thousand - Gateway of India
Rupees Ten Thousand - Lion Capital, Ashoka Pillar
Rupees One Hundred - Commemorative Design
Rupees Twenty
Rupees Fifty
Management of Currency had to cope with the rising demands of a growing economy, together with a fall in purchasing power. The Rupee 500 note was introduced in October 1987 with the portrait of Mahatma Gandhi. The water mark continued to be the Lion Capital, Ashoka Pillar.
Rupees Five Hundred
With the advancement of reprographic techniques, traditional security features were deemed inadequate. It was necessary to introduce new features and a new 'Mahatma Gandhi Series' was introduced in 1996. A changed watermark, windowed security thread, latent image and intaglio features for the visually handicapped are amongst the new features.
Rupees Ten : Size 137 x 63 mm
Rupees Fifty : Size 147 x 73 mm
Rupees One Hundred : Size 157 x 73 mm
Rupees Five Hundred : Size 167 x 73 mm
Rupees One Thousand : Size 177 x 73 mm
Others
While many Princely States were issuing their own coinage, only two viz., Jammu & Kashmir and Hyderabad actually issued Paper Currency. Both the Portuguese and French Territories issued Paper Money. Burma, where the Reserve Bank had an office at Rangoon, was politically separated from India on April 1, 1937. The Indo-Burma Monetary Arrangements provided for the RBI to continue to manage the currency of Burma.
During the Second World War many petty Princely States issued emergency tokens which are alluded to as 'Cash Coupons' in lieu of coins. Emergency Money was also issued in Burma after the end of the Japanese occupation to facilitate exchange.
Traditionally Indian money had enjoyed wide circulation in the Persian Gulf Region. India had also issued notes for circulation in the Persian Gulf region as well as special notes for Haj Pilgrims.
Burma Issues
Reserve Bank of India, Rangoon Office
Notes issued by Reserve Bank of India for Burma
Emergency Issues Princely States : Cash Coupons
Bundi (Now in Rajasthan)
Bikaner (Now in Rajastan)
Junagadh State (Now in Gujarat)
Mengni (Now in Gujarat )
Nawanagar (Now in Gujarat)
Sailana State (Now in Madhya Pradesh)
Sayla State (Now in Gujarat)
Haj Issues
Hyderabad Issues
Rupee Five Note (Obverse & Reverse)
Rupee Ten Note (Obverse & Reverse)
Indo-French Issues
Indo-Portuguese Issues
Jammu & Kashmir Issues
Paper Money was issued sometime in 1877 in the reign of Maharaja Ranbir Singh on watermarked paper. The notes were not very popular and were in circulation for a very short period. The notes carried the 'Sun' motif of the Dogra family.
Persian Gulf Issues
On achieving independence, India started of with a comfortable foreign exchange position. The quest for development and the demands of 'catching up' laid considerable stress on the foreign exchange position. The scarcity situation that ensued led to possibilities of exploiting the traditional currency arrangements with the Gulf. To obviate or at least mitigate malpractices, which such an arrangement could give rise to, a separate series of notes exclusively for circulation in the Gulf (Kuwait, Bahrain, Qatar, and the Trucial States (now the UAE) were issued by the Indian Government and the Reserve Bank of India in the 1950's. The notes retained the contemporary design but were different in colour and carried the prefix 'Z'. The notes were issued in the denominations of Rupee One, Rupees Ten and Hundred and were redeemable only at the Bombay office of issue. As the Gulf States issued their own currency, these notes were withdrawn over a period of time from the early 1960's and ceased to be used around 197 0.
Miscellany
Hundis
- as remittance instruments (to transfer funds from one place to another),
- as credit instruments (to borrow money [IOUs]),
- for trade transactions (as bills of exchange).
Hundis: Specimens
British India Hundi
British India Hundi
Bank Memo to a Hundi
Foreign Bill
Opium Hundi
Princely State Hundi
Others
A Representative Darshani Hundi.
Early 20th Century
Nisani Hamare Gharu khate nam mandna.Dastkhat Brijkishore Bhargava ke hundi likhe mujib sikar desi.
'SRI RAMJI
Sidh sri Patna subhastane chiranjeeva bhai Rikhabchand Bridhichan yog sri Jaipur se likhi Brijkishore Bhargava kee asis banchna, apranch hundi aik rupia 2,000 akshare rupia do hazar ke nime rupia aik hazar ka duna yahan rakha sah Sri Punamchandji Harakchandji pas miti Mangsir bad baras (12th) puga turat sah-jog rupia chalan ka dena. Sambat 1990, Miti Mangsir bad baras,
Rs.2,000
Neme Neme rupia panchsau ka chauguna pura do hazar kardejo.
'1' Chiranjeeva Rikhabchand Bridhichand, Patna.
Translation
Place it to the debit of our account.Signature: Honour the Hundi written by Brijkishore Bhargava.
Greetings to Messrs. Rikhabchand Bridhichand, son of the fair city of Patna on whom the Hundi for Rs 2,000 (in words Rupees Two thousand only) is written by Brij Kishore Bhargava from Jaipur. Rupees one thousand if doubled make the sum of the hundi. The hundi has been drawn from here in favour of Messrs. Punamchand Harackchand on 12th Mangsir 1990, which please honour on presentation in the current money.
Rs.2,000
Four times of Rs. 500 make the sum of Rs. 2,000 for which the hundi is drawn.
Watermark on Hundis
Revenue Seals appearing on Hundis
British India
Embossed Seal: Queen Victoria
Embossed Seal: Queen Victoria
Adhesive Stamps used on Private Issues
Revenue form: Portrait of King Edward
GP Notes, Bonds & Shares
Government of India Promissory Note
Government Promissory Note (Princely State)
The Bank of Bengal Share Certificate
Imperial Bank of India Share Certificate
Reserve Bank of India Share Certificate
Personalities
Governors of the Reserve Bank of IndiaSir Osborne A.Smith - April 1, 1935 to June 30, 1937 | |
Sir James Braid Taylor - July 1, 1937 to February 17,1943 | |
Sir Chintaman D.Deshmukh - August 11, 1943 to June 30, 1949 | |
Sir Benegal Rama Rau - July 1, 1949 to January 14, 1957 | |
K.G.Ambegaonkar - January 14, 1957 to February 28, 1957 | |
H.V.R.Iengar - March 1, 1957 to February 28, 1962 | |
P.C.Bhattacharyya - March 1, 1962 to June 30, 1967 | |
L.K.Jha - July 1, 1967 to May 3, 1970 | |
B.N.Adarkar - May 4, 1970 to June 15, 1970 | |
S.Jagannathan - June 16, 1970 to May 19, 1975 | |
N.C.Sen Gupta - May 19, 1975 to August 19, 1975 | |
K.R.Puri - August 20, 1975 to May 2, 1977 | |
M.Narasimham - May 2, 1977 to November 30, 1977 | |
Dr. I.G.Patel - December 1, 1977 to September 15, 1982 | |
Dr.Manmohan Singh - September 16, 1982 to January 14, 1985 | |
A.Ghosh - January 15, 1985 to February 4, 1985 | |
R.N.Malhotra - February 04,1985 to December 22, 1990 | |
S.Venkitaramanan - December 22, 1990 to December 21, 1992 | |
Dr. C.Rangarajan - December 22, 1992 to December 21, 1995 December 22, 1995 to November 22, 1997 | |
Dr.Bimal Jalan - November 22, 1997 onwards |
The Advent of Modern Banking in India
1720 to 1850sEstablished | Failed (F) or Merged (M) | Bank | Place |
---|---|---|---|
1720 | 1770 | Bank of Bombay | Bombay |
1770 | F 1832 | Bank of Hindostan | Calcutta |
1773 | F 1775 | General Bank of Bengal and Bihar | Calcutta |
1784 | F 1791 | Bengal Bank | Calcutta |
1786 | F 1791 | General Bank of India | Calcutta |
1788 | Unknown | The Carnatic Bank | Unknovm |
1806 | M 1920 | Bank of Calcutta Bank of Bengal, 1808 | Calcutta |
1819 | F 1828 | The Commercial Bank | Calcutta |
1824 | F 1829 | The Calcutta Bank | Calcutta |
1828 | Unknown | Bank of India | |
1829 | F 1848 | The Union Bank | Calcutta |
1833 | Unknown | The Government Savings Bank | Calcutta |
1833 | F 1866 | The Agra & United Service Bank Ltd. (Earlier The Agra Bank and later The Agra and Masterman's Bank, London) | Agra |
1835 | F 1837 | The Bank of Mirzapore | Mirzapur |
1836 | Still Born | Bank of India (London) | |
1840 | F 1859 | North Western Bank of India | Mussoorie |
1840 | M 1920 | Bank of Bombay: Re-formed in 1868 | |
1841 | 1842 | Bank of Asia | London |
1841 | M 1849 | The Bank of Ceylon (Taken over by the Oriental Banking Corporation) | Colombo |
1842 | Still Born | The East India Bank, London | |
1842 | F 1884 | The Oriental Bank Corporation (Earlier, Bank of Western India) | Bombay |
1842 | 1863 | The Agra Savings Fund | Agra |
1843 | M 1920 | Bank of Madras | Madras |
1844 | Unknown | Delhi Bank Corporation Ltd. | Delhi |
1844 | F 1850 | The Benares Bank | Banaras |
1844 | F 1893 | Simla Bank Ltd. | Simla |
1845 | F 1866 | The Commercial Bank of India | Bombay |
1845 | F 1851 | The Cownpore Bank | Kanpur |
1846 | M 1862 | Dacca Bank (merged into Bank of Bengal) | Dacca |
1846 | F 1894 | Uncovenanted Service | Agra Bank Ltd. |
1852 | Still Born | London Bank of Australia & India | Agra |
1852 | F 1855 | Chartered Bank of Asia | London |
1853 | Chartered Mercantile Bank of India, London & China | London | |
1853 | Chartered Bank of India, Australia and China | London | |
1854 | F 1857 | The London and Eastern Banking Corp. | London |
1854 | The Comptoir D'Escompte of Paris | Paris | |
Sources: Cooke, Brunyate, Tandon, Maharashtra State Archives and RBI |
Anecdotes
The general ideas on the seal were as follows:
- the seal should emphasise the Governmental status of the Bank, but not too closely;
- it should have something Indian in the design;
- it should be simple, artistic and heraldically correct; and
- the design should be such that it could be used without substantial alteration for letter heading, etc.
To meet the immediate requirements in connection with the stamping of the Bank's share certificates, the work was entrusted to a Madras firm. The Board, at its meeting on February 23, 1935, approved the design of the seal but desired improvement of the animal's appearance. Unfortunately it was not possible to make any major changes at that stage. But the Deputy Governor, Sir James Taylor, did not rest content with this. He took keen interest in getting fresh sketches prepared by the Government of India Mint and the Security Printing Press, Nasik. As a basis for good design, he arranged for a photograph to be taken of the statue of the tiger on the entrance gate at Belvedere, Calcutta. Something or the other went wrong with the sketches so that Sir James, writing in September I938, was led to remark:
...... s tree is all right but his tiger looks too like some species of dog, and I am afraid that a design of a dog and a tree would arouse derision among the irreverent. .....'s tiger is distinctly good but the tree has spoiled it. The stem is too long and the branches too spidery, but I should have thought that by putting a firm line under the feet of his tiger and making his tree stronger and lower we could get quite a good result from his design.
Later, with further efforts, it was possible to have better proofs prepared by the Security Printing Press, Nasik. However, it was eventually decided not to make any change in the existing seal of the Bank, and the new sketches came to be used as an emblem for the Bank's currency notes, letter-heads, cheques and publications issued by the Bank.
Source: 'History of the Reserve Bank of India'
Source: Wikipedia and many other website.
No comments:
Post a Comment